Saturday, July 26, 2014

MEMORIAL NIGHT - Schedule of Readings, Performances and Talk-Backs


MEMORIAL NIGHT by Jonathon Ward


New Play about Farming and Fracking
Set in Delaware County, Memorial Day, 2008
Directed by Ron Nash
Produced by Ernest Schenk and the Little Victory Players
With a cast including: Leighton Bryan, Bryce Gill, Jonathan Martin, Katt Judd, Ernest Schenk, and Patti Van Tassel.
The play is a provocative exploration of the land-use issues raised by the politics of fracking through the story of a 10th generation dairy farmer and his family in Delaware County. The family is trying to make ends meet after their only son is killed in the Iraqi war and the play delves into the complexity of people's desire to live from the bounty of our American land in the spirit of its heritage.
The play was commissioned by NYSCA through the Roxbury Arts Group and is produced with funds from the NYSCA Decentralization Grant to the Little Victory Players through the Roxbury Arts Group and a grant from The O’Connor Foundation.

T
he play will be presented in a series of readings, performances and after-show discussions, to involve audiences in the process of development of a realistic play based on an important current issue. For additional information: http://macellushale.blogspot.com/

We invite you to come to one of the readings, let us know what you think and then come to see how the play has grown in the Workshop Production at the Open Eye!
READING AND PERFORMANCE SCHEDULE
In August, the play will be presented in 3 different towns in Delaware County in 3 developmental steps.

ROXBURY ART CENTER
5025 Vega Mountain Road, Roxbury NY
Sat., August 2 at 6:30pm & Sun., August 3 at 2pm
A premiere reading of the play followed by a talk-back and discussion. Donations Accepted.

AMERICAN LEGION POST
2 Pennsylvania Road, Hancock, NY
Sun., August 10 at 2pm
A staged reading of the play will be presented. Donations Accepted.

OPEN EYE THEATER
Rte 30, Margaretville, NY
Fri.& Sat., August 22-23 at 7pm and
Sun., August 24 at 3pm
Workshop Production of the play in at the Open Eye Theater.
Suggested Donation $10.00
Tickets and Info: 607-363-2819 or pschenk@frontiernet.net

Friday, March 28, 2014

MEMORIAL NIGHT - You're Invited!


A new play set in Delaware County on Memorial Day and Night, 2008 before the moratorium, when milk prices were down, the Great Recession began, the surge in Iraq was about to begin, Obama was coming on strong and Lehman Brothers was about to collapse. 


Daniel Hale wants to honor his son, Marcellus, who died in Iraq defending the pipeline in Kirkuk.  

He hopes to keep the diary farm that's been in the family for 10 generations and make it the place his son wanted before he redeployed.  Mary, his wife, and their daughter and son-in-law oppose his signing a lease.  

Colton an army buddy, who left the service before they were redeployed is a landman for a gas company and comes to the memorial where he meets the high school girlfriend of Marcellus. 

It is a provocative exploration of human values and how we strive to hold on to them and what happens when we do.  


This story will be performed in a staged reading in two developmental steps.

Saturday, August 2 at 7pm, there will be a premiere first staging of the new play followed by a talk-back and discussion. 

On Saturday, August 9 at 7pm and Sunday, August 10 at 2pm the play, with new material in response to the feedback, will be presented again. 

Memorial Night is written by Jonathon Ward, directed by Ron Nash, produced by Little Victory Players, artistic director Ernest Schenk.  The actors will be from Upstate New York and New York City.  The play was commissioned by NYSCA through the Roxbury Arts Group and is produced with funds from the NYSCA Decentralization Grant to the Roxbury Arts Group.       

Saturday, June 22, 2013

Fact and Fiction

What can I call this mountain?  
Take the name away from the land.  Ask yourself what it is.  That is what people do: the Lenape did it, the Dutch settlers and the English and the Department of Environmental Protection and all the native people born and raised on the land and every flatlander who visits does it.

Pepacton Reservoir
Where there was once
Pepacton, a town.   
Give a name to a place, base it on how you want to use it. Name it to show ownership of a place.




Hudson River School
Redefining A Place

The Catskills were at first unnamed by European's.  It was wilderness: chaotic unknown.  But give it a name Blue Mountains because they look blue from the Livingston estate, the Kaats Kill Mountains because the Dutch settled there, the Catskills because the English came and the tourists knew the English ways.
Shale.  Outcroppings everywhere.  An industry mined it.  But a mile below the fields and the mountains there is Marcellus Shale.

People lived for thousands of years without a name for it.  But now the fact of the rock generates new meanings.  Hydraulic fracturing, gas, property values of second homes, tourist trade, pollution, wealth, jobs.

Fiction comes from naming the facts.

     

Saturday, June 15, 2013

Cloves

Platte Clove Falls
I don't know any place in the country that has cloves as part of their geography other than the Catskills. To me it is one of the features of the terrain that make the hills mysterious and formidable. 

When I went to the Platte Clove AIR orientation two artists who were from the area were talking about walking up the clove from Saguerties to the top and that they only knew one person who succeeded climbing it the whole way.  

Steep Terrain


I could see the challenge when we walked down to look at the waterfall below the cabins where the artists in residence stay.

Alf Evers in his chapter on cloves writes about them as somehow connected to Hell.  I can't imagine climbing from the base of the mountain the top.  The water runs down the cleft cut between two mountains which seem to be having a pushing match to claim the same space.  The stream cools the conflict down but it doesn't end the battle and it makes it tough going for any hiker.  Marcellus Hale would know how to get around in the hills and know the particular kind of Hell which is so different from the hot sand hell and dunes in the Mideast.  No water to cool the war.
Platte Clove AIR Cabin

The trails that lead through the Catskills must have been forged years ago by the Native Americans and I can't imagine they were ever improved upon.

Friday, June 14, 2013

Catskills, Witches and Commuting

Forest Hills, Queens, LIRR
It's Friday and the Catskill experiences of this past weekend have left me.  Everything from the  taste in my mouth, the lack of green growth filling my eyes, the undisturbed sleep, the ultimate in quietness. Gone for the time being. Place being gone. I look forward to being there again soon.
LIRR Forest Hills Station Hurtling Backwards to NYC
In Alf Evers book The Catskills: from Wilderness to Woodstock I'm reading the chapters on witches.  That strange spirituality that is in the Catskills I believe comes from the land.  



When I got home on Sunday I told my wife Beth that I had the Catskills Fever by which I meant that I was bewitched in a way by the environment.  Marcellus Hale would feel that fever  coming back from Iraq. Desert sand sun dry heat. Catskills forest green trees moss moist soil dark shaded places under branches and rock. Scorpions can hide in the desert sand.  Man can hide in the Catskills and live off the land with the spirits. 

Monday, June 10, 2013

Two Sides of a Catskill Morning

Pepacton Reservoir
I spent three days doing research in Delaware County.  I was in Hancock to talk about economic development, then in Prattsville where I stayed in the Moore Motel that is rebuilding from the Irene flooding, then in Stamford for the Roxbury Arts Group's Open Mike, then to Platte Clove AIR cabin for an orientation, then to Roxbury for the Arts Groups Villa Lobos concert, and then down to the Mountain Dell Farm.
I’m having some difficulty in knowing what to share.  Talking to people on two sides of the issue and having the desire which is characteristic of me to explore two sides of an issue in order to understand, I find it difficult to know what to communicate.  Have people confided in me in a way that is personal and therefore not to be shared?  I don't want to gossip or start trouble.  I do want to know what people think about what other people think.
I am a fictionalist and not a reporter.  I create from the facts that I know, and I don't know all the facts, in order to tell a story that has some truth which the facts seem to suggest to me.  My imagination takes off from the information I receive like the clouds lifting off the Catskills in the morning.  At this point what I imagine doesn’t hold its shape and I am trying to get to the clarity of daytime and see the water, mountain, trees, sun, sky for what they are.

Saturday, May 25, 2013

Political Positions, Personas and the Conditional Tense

I'm looking forward to living for five days in the Platte Clove artist-in-residence cabin which is a program of the Catskill Center for Conservation and Development.  I'll be there July 19-23.
I'll be doing research for the play and immersing myself in the Catskills - the environment that isn't always mentioned in the gas industry's promotion of hydrofracking.  Money doesn't grow on trees in the woods. 
I'll also be there June 8 and have more conversations with people who are affected by hydrofracking.
In a conversation with D.S. she wanted me to talk with her father because he